Max Lehman Article for Artsy Shark
Originally from Fort Knox
Kentucky Max Lehman currently resides in Nambe, New Mexico. Max attended
college at Arizona State University in the 1980’s, majoring in Media Arts while
also studying Pre-Columbian art history.
Most of his training in
ceramics came by practical experience. He apprenticed at the F&R Pottery
Studio in Cave Creek north of Phoenix and later went on to work for the Red
Horse Clay Company.
Much of my current body
of work is based upon the concept of Dystopia*. I intentionally attempt to make
my pieces “creepy-cute” this is a direct response to the prevailing principles
of Pop Surrealism. I have a tendency to pick and choose my cultural references
at will. Exercising unrestrained disregard for tradition or convention gives me
the ability to process new ideas rapidly.
Skeletons are a recurring
theme in my work. My fascination with skeletons is primarily from exposure to
Mexican culture and immersion in the Punk music scene. I do not see skeletons
as representations of death. The Mexican folk artist Alfonso Castillo has
influenced my approach to art, in imagery, construction and decoration. He is
one of the most highly regarded Days of the Dead artists.
My connection with
Hispanic culture is due to me being one of the first Anglo artists voted into a
Hispanic Art Collective that was based in a downtown barrio in Phoenix Arizona
in the 1980s. Movimiento Artistico Del Rio Salado or MARS for short was a
foundational period and it was during my time there that I formed my earliest
concepts on art formulated out of street culture, Mexican Folk Art, Dia de los
Muertos and the concepts of cultural diversity and inclusiveness.
Living in and around
Santa Fe for 25 years has created a deep connection to northern New Mexico, its
people and the quirkiness of daily life here.
Presently Max is Webmaster
at the New Mexico Tourism Department in addition to pursuing his full time art
career. This situation provides a unique perspective of moving between the technological
to the tactile realm on a daily basis.
* Dystopia: A
futuristic, imagined universe in which oppressive societal control and the
illusion of a perfect society are maintained through corporate, bureaucratic,
technological, moral, or totalitarian control. Dystopias, through an
exaggerated worst-case scenario, make a criticism about a current trend,
societal norm, or political system.
Gidget
Goes to Saturn (1988 Space Series) low fired earthenware with acrylic paint
36”h 18”w 12”d
36”h 18”w 12”d
Templo
Azul (1993 Neo Mayan Series) low fired earthenware with acrylic paint
24”h 15”w 12”d
24”h 15”w 12”d
Bubbles
(1996 Dogs in Drag Series) low fired earthenware with acrylic paint
32”h 14”w 12”d
32”h 14”w 12”d
Carmen
Miranda (2007 Cha Cha Bunny Series) low fired earthenware with glaze, underglaze and acrylic paint
34”h 16”w 12”d
Mayan
Mobile (2009 Car Series) low fired earthenware with glaze and underglaze
29”h 10”w 15”d
29”h 10”w 15”d
Red
Skeleton with Black Birds (2011) low fired earthenware with glaze, underglaze and acrylic paint 27”h 14”w 11”d
Tlalocan,
Paradise of the Rain Goddess
(2011 installation created for the Santa Fe Storefront
Windows Project)
ceramic elements low fired earthenware with glaze, underglaze, acrylic paint, wire and neon, other elements painted wood, electric lights and printed fabric.
12’h 16’w 14’d (measurements in feet)
ceramic elements low fired earthenware with glaze, underglaze, acrylic paint, wire and neon, other elements painted wood, electric lights and printed fabric.
12’h 16’w 14’d (measurements in feet)
Black
Eyed Susan (2013) low fired earthenware with glaze, underglaze and wire
38”h 16”w 12”d
38”h 16”w 12”d
Juntos
Para Siempre (2013 for the Herradura Tequila Barrel Art Project)
ceramic elements low fired earthenware with glaze, underglaze, acrylic paint, and wire, other elements an actual oak tequila barrel (empty) painted wood, and electric lights.
48”h 42”l 28”w
ceramic elements low fired earthenware with glaze, underglaze, acrylic paint, and wire, other elements an actual oak tequila barrel (empty) painted wood, and electric lights.
48”h 42”l 28”w
Dawn
in the House of Knives (2014) low fired earthenware with glaze, underglaze, paint and wire
62”h 24”w 12”d
62”h 24”w 12”d
Website www.maxdna.com
Facebook https://www.facebook.com/pages/Max-Lehman-Ceramic-Sculpture/ and https://www.facebook.com/maxdna
Representation
POP Gallery
142 Lincoln Ave, Suite
102
Santa Fe, New Mexico 87501
505.820.0788
artinfo@popsantafe.com
www.popsantafe.com
Red Lodge Clay Center
123 South Broadway
Red
Lodge, Montana 59068
406.446.3993
info@redlodgeclaycenter.com
www.redlodgeclaycenter.com
William Havu Gallery
1040 Cherokee Street, Denver,
Colorado 80204
303.893.2360
303.893.2360
info@williamhavugallery.com
www.williamhavugallery.com
Selected Private and
Public Collections:
Patrick
Doust and Richard North Columbus OH
Sara and David Lieberman
Paradise Valley AZ
Sanford M Besser Santa Fe
NM
Jim Kolva and Pat
Sullivan Spokane WA
Albion Fenderson Phoenix
AZ
Marek Wozniak Omaha NE
Arizona State University
Art Museum Ceramics Research Center Tempe AZ
Santa Fe Community
College Santa Fe NM
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